translated by James and Viera Sutherland-Smith
Summer
The sun smashes our windows.
An urgent song reaches us from the street.
On the cellophane sky
steam condenses.
Unconfirmed reports are reproduced
about the wind.
The trees are the first to begin to talk
about the two of us.
A Shot
The moment air stops
close in front of your face
and checks the size of your lungs,
the moment the sun addresses you
with the agreed secret word,
then it'll be clear to you.
The horizon could be crossed
and other matters considered.
The heights furiously disclose
the concrete constructions of their peaks.
In the crowns of trees the telephone switchboards rattle.
You ripen an octave higher.
Daybreak
You emerge from beyond the horizon,
heedlessly towards darkness
and inattentive towards smothering dreams.
You lend an ear to silence
moderately
like the most distant thunder.
It has already been heard how you sound in the motionless bells.
You always dawn astonishingly the same.
Mists, lost within themselves, hesitate,
trust neither earth nor heaven.
All creation loses speech, dumbly move its lips,
startled so that the words flow back
within,
to make blood brighter,
to make pain,
to make them wholly incomprehensible,
neither outcry nor buzzing.
Thus nature copies you
Always from the outset
indirectly, insufficiently,
fervent about you
disappointed in itself,
It imitates current and circulation.
Softly you reproduce your portraits
- one after the other.
With a regular motion
you manage time.
Circling
Evenly and fast
always going round
it dreams about itself.
The old unbearable fan.
Its head makes the circles
of a drunkard's breath.
It imagines it is a propeller.
It circles.
It observes.
It sees and hears.
It knows more than the others.
Through its racket
regardless it takes the words
of the speeches of the café tribunes.
For so long it has belonged to the technical museum,
but not till now has it entered literature.
Unsent Telegram
Inside me a little bit of
a blue Christmas begins.
in the hotel room it's snowing
a misty scent - of your
endlessly distant perfume.
We're declining bodily
while in us the price
of night calls rises,
waves of private earth tremors
and the limits of an ocean of blood
on the curve of a lonely coast
The Last Four Bars of Silence
It's getting dark in the revues,
in the carmined eyes of the dancers,
in the centre of the cleavage
of a monumental bosom
and in the snowfall of ostrich feathers.
It's getting brighter deep within wood,
in flower pots
and botanical gardens.
The lights go off in the last windows
of ministerial offices
made of cardboard, telephone lines
and salary cheques.
The wind delivers
Autumn leaves
of strictly secret material
into the unvetted hands
of nightwalkers,
Sensitive lovers
are on guard in the parks
armed to their teeth
with rapid firing sentiments -
calibre forty-five.
And it always dawns.
over the pages of newspapers
the moulds of white hot dreams hiss
on contact with the icy air.
Mutes enthusiastically play
their leading role
and the powerless director
with his head in his hands
and bust fuses in his head
repeats to the point of madness
the last four bars of silence.
I'm With You
It's completely me -
height 180 centimetres,
measurements 108 by 83 by 107,
weight 73 kilos,
five military qualifications
and even more civilian,
brown hair, green eyes,
born on the occasion
of the Hungarian Uprising,
bashful and christened,
married with three children.
I don't beat out a rhythm in English,
but I'm of the world.
Send me fan mail,
postcards and gifts,
books and pictures,
busts and bacon,
booze and flowers.
Support your poet
who, instead of you, behaves
like an idiot.
Write to my European address -
Slovakia.
Call me,
all of you, who love me,
who can't live without me,
or least die.
Call the number 314 212,
my automatic telephone
will pick up 24 hours a day.
Don't be ashamed of your feelings.
God is watching you -
at last do something stupid.
Send some dosh to my account
SSS 3478228.
Remit to my pristine account
your dirty money,
I'll launder it day and night.
You can rely on me
to spend it all on myself
as opposed to other